内容简介
· · · · · ·
This book, drawing on the work of contemporary French philosopher Jean-Luc Nancy, investigates the aesthetics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France: Robert Bresson, MargUErite Duras and ClAIre Denis.
目录
· · · · · ·
Introduction
1. Jean-Luc Nancy: Co-Exposure, Technicity, Cinema
2. Robert Bresson: A Cinematography of Contact
3. Marguerite Duras: Back to Zero, or a Politics of Being-with
4. Claire Denis: Commonalities in Close-up
5. Conclusion
· · · · · ·